For film, TV & theatre

Set dressing that reads as real.

Tim and Sue Roush supply period-appropriate antique furniture, lighting, and objects for film, television, theatre, and photography — pieces with genuine age that hold up on camera and from the back row.

An Art Deco figural dancer lamp with strong visual character for a set or stage

Visual specificity that sells the period

Production support

Real pieces beat prop-house reproductions.

Send the period, setting, character, color story, dimensions, and deadline. Tim and Sue work the booth and their network to find pieces that carry a scene — and tell you quickly whether a request is feasible.

Set dressing

Furnish the scene

Furniture, lighting, mirrors, folk art, and unusual objects to build a believable period space.

Prop packages

Grouped by look

Coordinated pieces sourced together for a room, a vignette, or a recurring set.

Rush sourcing

When the schedule is tight

Fast evaluation of whether a specific request can be met before your shoot — Tim and Sue tell you straight.

A vintage 'Coke with Ice' neon advertising sign, the kind of period prop used in set dressing

Rent or buy

Rentals are handled case by case.

Because every antique is one-of-a-kind — and may already be displayed for sale — rental availability, suitability, and terms are confirmed piece by piece. A piece isn't reserved until Tim or Sue confirms the exact terms in writing.

  • Purchase or rental consideration depending on the piece
  • Terms, handling, transport, and return worked out per project
  • Genuine period surface and construction, not painted reproductions
  • Direct contact with the dealers who own the pieces

Read the full rental process →

Working together

From brief to strike.

Send the brief

Period, setting, character, color, dimensions, location, and dates.

Feasibility check

Tim and Sue confirm what's available and what they can source in time.

Confirm terms

Pieces, quote, dates, handling, and responsibilities in writing.

Deliver & return

Coordinate delivery to set and return after the shoot or run.

On a deadline?

Send Tim & Sue the scene.

Describe the period and the look, include dates, and they'll tell you what's possible.

Start a production inquiry